Paste a passage that names emotions ('she was devastated') and get a version that dramatizes them through sensation, action, and concrete detail — plus a table mapping each 'tell' to the technique that replaced it. The rule, finally made concrete.
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Describe where you are in the story and what this chapter must accomplish, and get a 10-15 beat sheet with POV, emotional shifts, two forced complications, marked midpoint and end turns, and word-budget estimates. Kills the blank-outline stare.
Paste a wooden or exposition-heavy exchange and get it rewritten so the characters talk past each other, leave things unsaid, and carry the subtext — plus three notes on exactly what changed. For when your characters speak in complete paragraphs.
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Give your antagonist's worldview, goal, who they're talking to, and the dramatic moment, and get a 200-350 word monologue with internally consistent logic, one flash of real pain, and an ending that lands soft instead of as a threat. Stops your villain from twirling a mustache.